Books with author Mary Louisa Molesworth

This carefully crafted ebook: "Christmas-Tree Land (Illustrated)" is formatted for your eReader with a functional and detailed table of contents.Mary Louisa Molesworth (1839-1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth. She is best known as a writer of books for the young, such as Tell Me a Story (1875), Carrots (1876), The Cuckoo Clock (1877), The Tapestry Room (1879), and A Christmas Child (1880). She has been called "the Jane Austen of the nursery".Excerpt:'There must be somebody living over there,' he said. 'I see smoke rising—you can hardly see it now, the light is growing so dim, but I'm sure I did see it. There must be a little cottage there somewhere among the trees.' 'Oh, how nice!' exclaimed Maia. 'We must find it out. I wonder what sort of people live in it—gnomes or wood-spirits, perhaps? There couldn't be any real people in such a lonely place.' 'Gnomes and wood-spirits don't need cottages, and they don't make fires,' replied Rollo.

Works Included:Great Uncle Hoot-TootHoodieThe House That GrewThe Magic NutsThe Man With The Pan Pipes And Other StoriesMiss Mouse And Her BoysPeterkinThe Rectory ChildrenThe Tapestry RoomUncanny TalesAbout Author:Mary Louisa Molesworth, née Stewart (29 May 1839 – 20 January 1921) was an English writer of children's stories who wrote for children under the name of Mrs Molesworth.[1] Her first novels, for adult readers, Lover and Husband (1869) to Cicely (1874), appeared under the pseudonym of Ennis Graham. Her name occasionally appears in print as M. L. S. Molesworth.

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Patents and the laws which regulate them are queer things to have to do with. No one who has not had personal experience of the complications that arise could believe how far these spread and how entangled they become. Great acuteness as well as caution is called for if you would guide your patent bark safely to port—and perhaps more than anything, a power of holding your tongue. I was no chatterbox, nor, when on a mission of importance, did I go about looking as if I were bursting with secrets, which is, in my opinion, almost as dangerous as revealing them. No one, to meet me on the journeys which it often fell to my lot to undertake, would have guessed that I had anything on my mind but an easy-going young fellow's natural interest in his surroundings, though many a time I have stayed awake through a whole night of railway travel if at all doubtful about my fellow-passengers, or not dared to go to sleep in a hotel without a ready-loaded revolver by my pillow.

An Enchanted GardenMary Louisa Molesworth, english writer of children's stories (1839-1921)This ebook presents «An Enchanted Garden», from Mary Louisa Molesworth. A dynamic table of contents enables to jump directly to the chapter selected.Table of Contents-01- About this book-02- MADAM WREN-03- TAPPING-04- THE CARETAKER-05- THE STORY OF THE THREE WISHES-06- THE STORY OF THE THREE WISHES—CONTINUED-07- THE STORY OF THE THREE WISHES—CONCLUDED-08- THE SUMMER PRINCESS-09- THE SUMMER PRINCESS—CONTINUED-10- THE CHRISTMAS SURPRISE-11- THE MAGIC ROSE-12- THE MAGIC ROSE—CONTINUED

A small child and a cuckoo for a cuckoo clock become unlikely friends, when at night the clock transports her to magical places. "Stopped!" says Miss Tabitha, throwing up her hands. "Impossible!" "I mean cuckoo has stopped," the girl says. "The clock is going on, but the cuckoo isn't telling the hours." "What can we do?" says Miss Tabitha. "Should we send for the watch-maker?" But Miss Grizzel shakes her head, and says, "That would be worse than useless, Tabitha. Were we to search the world over, we would find no one to put it right. Fifty years and more, that clock has never missed an hour! We are getting old, Tabitha -- and maybe our day is nearly over!"

The familiar appearance of Mrs. Molesworth's gift of delight awakens grateful anticipations which are rarely, if ever, disappointed. The literary work in A Christmas Posy is intrinsically characteristic, and the same must be acknowledged with respect to Mr. Crane's illustrations. Still the stories, a group of six, are variable in conception. Thus their young readers will be pleased to read them, though the modern parental tendency leans towards a quicker brightness than appeals in the opening story.